Who is Melusine?

What I am currently working on is a painting of Melusine.  I have been wanting to paint her for a long time and am really excited to finally do so.  So who was or is Melusine?  Quite simply she was an extremely popular legend in Medieval times.  Her myth was popular throughout Europe from Scotland, to Avalon (though it is suppose to be a mythical place), to France.  Here is my shortened and quick synopsis of what Wikipedia says:


Melusine is a figure of  European legend, a feminine spirit of fresh waters in sacred springs and rivers.
She is usually depicted as a woman who is a serpent or fish from the waist down.  She is also sometimes illustrated with wings and a tail, sometimes two tails.  

During the Crusades Elynas, the King of Albany (Scotland) went hunting one day and came across a beautiful lady in the forest. She was Pressyne, mother of Melusine. He persuaded her to marry him but she agreed, only on the promise — for there is often a hard and fatal condition attached to any pairing of faerie and mortal — that he must not enter her chamber when she birthed or bathed her children. She gave birth to triplets. When he violated this taboo, Pressyne left the kingdom, together with her three daughters, and traveled to the lost Isle of  Avalon.

The three girls — Melusine, Melior, and Palatyne — grew up in Avalon. On their fifteenth birthday, Melusine, the eldest, asked why they had been taken to Avalon. Upon hearing of their father's broken promise, Melusine sought revenge. She and her sisters captured Elynas and locked him, with his riches, in a mountain. Pressyne became enraged when she learned what the girls had done, and punished them for their disrespect to their father. Melusine was condemned to take the form of a serpent from the waist down every Saturday. In other stories, she takes on the form of a mermaid.

Raymond of Poitou came across Melusine in a forest of Coulombiers in France, and proposed marriage. Just as her mother had done, she laid a condition, that he must never enter her chamber on a Saturday. He broke the promise and saw her in the form of a part-woman part-serpent. She forgave him. When during a disagreement, he called her a "serpent" in front of his court, she assumed the form of a dragon, (sometimes a it is said a swan) provided him with two magic rings, and flew off, never to return.

To me Melusine is the ultimate "Animal Bride".  I am super intrigued by the Animal Bride myth in mythology and often my work is of these faerie women.  These are the stories of the swan maidens, the selkies, mermaids, etc.  They are in almost all myth the world over.  They are tales of human men that marry a faerie woman who is some sort of animal, but turns into a beautiful looking human woman when the man captures her and brings her into our world to marry her.

There is so much good symbolism in the Animal Bride myth.  Mainly I think it represents our longing for an intimacy with nature, but how we usually try to possess and control her.  The Animal Bride myth always ends with the faerie woman returning to the wild from which she came, as she can never be possessed by man.

I am guessing these tales began popping up as soon as humans began creating civilizations.  As we moved out of the forests and became increasingly dispossessed from nature, so began our longing to return to her.  I think Melusine is the ultimate Animal Bride because she combines just about all the myths into one.  She is a serpent, swan, dragon, mermaid of sorts.  Her tale stretches across Europe and is not concentrated in one place.  She is connected to springs and bodies of fresh water as these are so representative of our subconscious selves that are always there whispering secrets we can not hear like bubbling brooks.

So here are a couple of wip pics of my Melusine.

The above shot is of the acrylic underpainting of Melusine.  I added a serpent and a swan in a sort of oroboros design (one of my favorite symbols).  They represent her two tails, or her two natures, earthly and spiritual.  

This is a shot of her after a layer of oil.  I still have more detailing to do, but you get an idea of what she will look like.

One thing I am noticing in my own art, and in a lot of contemporary art, is that my women are growing more child-like or innocent looking.  For me the underlying message in all my works has always had something to do with our longing for that connection with nature that is slowly slipping away from us.  I think the prevalence of these fragile, innocent women we are seeing so much in art these days has to do with that too. The more entrenched we get in this technological world, the more we long for a simpler time. We are longing for a more innocent time. We stare at our computer screens all day long and the stress of this technological filled lifestyle often makes us feel like robots, not alive.  We long to be wild.   We all have memories of being children, running in the woods.  Somehow that seems like lifetimes away now, why can't we have that again?

Okay, enough writing for today....off to finish my Melusine.  

Bach Flower Series: Clematis

I haven't wrote in this blog in so long I am not sure I remember how it works.  I recently started a little series loosely based on the Bach Flower remedies.  I decided that these needed a little writing to go with them to explain each remedy I do, so I am back on the ol' blog.  I plan to do as many of these as I feel drawn to do and then write about the essence here after I am done.
First I should explain what the Bach Flower remedies are. Bach flower remedies were introduced in the 1930s by Edward Bach, M.D., a British physician, who developed what he called a "theory of types" by which he divided people into seven groups based on their reactions to illness. He listed these types as fear, uncertainty, loneliness, oversensitivity, lack of interest in present circumstances, despondency, and over-concern for others. Dr. Bach believed that negative moods and emotions were responsible for the breakdown in health that leads to illness and determined that treatment had to address patients' emotional and mental states. He devised 38 wild flower essences, or remedies, for treatment for these negative moods and emotions.   The first one I completed was "Clematis".

Clematis

2013  Tammy Mae Moon

Clematis relates to the soul potential of creative idealism.  In the negative Clematis state a person tends to withdraw a lot into their own imagination.  Many creative types can use a little Clematis from time to time. Creative people tend to be people that are easily in touch with their imagination.  Sometimes though that inner world can be more attractive to us than the "real world".  We have our heads too much in the clouds and can't get grounded.  Clematis helps alleviate the spaciness and helps us bring our creativity to physical realization.  It is a good remedy to take when you are feeling creatively blocked.

I added the dragonflies in this one as a strong symbol for integrating the "Otherworld/Inner World" with our outer world.  The dragonfly inhabits two realms: air and water and teaches us how to walk in both worlds.

If you fall into the Clematis state some, you are probably a "walker between the worlds".  Try taking a little of this essence to help you stay grounded and transform all of that unused creative potential into physical form (Painting, weaving, writing, etc.).

*Most of my info on Bach Flowers has been taken from the book "Bach Flower Therapy; Theory and Practice" by Mechthild Scheffer.

Mary, Queen of Sorrows

I decided to do a Mother Mary recently mainly because of the influence of my new friend and amazing artist Russelle Marcato Westbrook.  She is doing a whole series of exploring Mary and the opposites of dark and light within us all.
In the Bible, Mary was still a teenager when she was called upon to bear the Son of Man.  She became a mother in innocence, and lost her son in the height of his greatness.  She knew his fate, and had to bear the sorrow.  Mary is the one goddess that has been allowed in Christianity. She stands for compassion, nurturing, acceptance and love.  I think her archetype deeply effects women, especially mothers.
I am writing this right now as I am struggling with my son.  He is in 3rd grade and he is beginning to hate school.  He daydreams a lot and doesn't know how to handle his emotions very well.  He is a typical boy in our society. Boys are getting more and more lost everyday.  I think the Mary archetype has a lot to do with mothers and their sons.  We are losing our sons to war and violence, and we are suppose to just grin and bear it.  We are suppose to be strong and just let our sons go, at least this seems to be the underlying message from our society.  But I think it is time for Mary to wake up.
I thought I would show you a few of the work in progress pics of Mary so you can see exactly how she evolved.  Sometimes I change them and play with them a lot before they are finished.

"Mary, Queen of Sorrows"                                                  

 16x20 acrylic and ink on panel

2011

Leanan Sidhe

Leanan Sidhe

16x20 acrylic, ink, gold leaf paint on Gessobord panel

$350.00

Dakinis in bikinis...

Okay, not really dakinis in bikinis.  I just thought that would be fun to say.  Sorry I haven't wrote much in ye olde blog lately.  I usually fall into a pattern in the summer where I turn into a virtual hermit in between all the trips.  Needless to say this summer has been busy with the kids and trips, but I have managed to get some painting in here and there.
My latest obsession has been with the idea of dakinis (sometimes in bikinis I suppose). 
A dakini is a tantric deity described as a female embodiment of enlightened energy. In the Tibetan language, dakini is rendered khandroma which means 'she who traverses the sky' or 'she who moves in space'. Sometimes the term is translated poetically as 'sky dancer' or 'sky walker'.
A dakini comes in many forms and in some ways is related to angels or thought of as bird women of sorts.  In many parts of Tibet vultures are considered physical representations of dakinis.  Vultures have been revered by many ancient cultures as they are able to transmute negative energies and disease from the physical plane.
It is believed that all women are dakinis, but most do not ever realize this.  I like that dakinis are not always pure and perfectly nice, sometimes they are scary and mean too.  They are similar to the Valkyries of Norse myth. 
I feel that dakinis are muses.  I once read where the amazing visionary artist Andrew Gonzales said that he felt like all the women he painted were his dakinis.  I really understand this, because as I paint each one of my ladies I form this mystical connection with them.  They are me in part, they are my muse, and they are dakinis.
Obviously two of my favorite subjects are birds and women, so I am planning to do a whole series of dakinis I think.  Here is some progress pics of my first dakini....

I am working on the feathers around her eyes now and really loving them.  Be prepared for lots of feathered masks in the future.  I am also giving her some wings, but not really sure how I am going to make those look yet.  I hope to have her completed soon.  I am hoping to have her done and framed for the upcoming Woodland Arts fair.  I will have a booth that weekend in the lawn of Woodland Christian Church, hope to see you there!

Demeter and bees

I finally finished Demeter this week.

I lost my inspiration to work on her about three-fourths of the way through. I have been struck with that a lot lately...lack of inspiration. In fact I have been feeling very disenchanted about everything of late. I have been way too focused on the physical. Sometimes we get too wrapped up in being validated and we translate validation into how much money we are making. Like many artists, it's often feast or famine around here and mostly leaning towards the famine. It is very easy to fall into the "what's the use" thought pattern, and when you do it is very hard to find inspiration.

So that's where I was a little over a week ago. I was walking around in my backyard barefoot playing with my daughter when I stepped on a honeybee. He stung me twice on the right foot and it hurt like all get out. I got most of the stinger out, but I guess missed a small part of it. A couple of days later my foot swelled up. That little bee sting caused me a lot of trouble.

After I realized I still had some stinger left and got it out, it suddenly dawned on me that that little bee might have been sent to wake me up. I was led right to an article on the internet about the magicalness of bees. Rudolf Steiner believed that bees were sent to Earth from Venus. Venus holds the energy of the heart chakra for our solar system. Bees form their honeycomb in the patterns of hexagrams which are connected to the heiros gamos or Star of David; also a symbol for the heart chakra.

Bees are all about love and bliss. They are our example of unity consciousness and what working together for the higher good can do....produce the sweetest of life's nectar. The biggest message that came through to me was that for a bee "THEIR WORK IS THEIR BLISS".  Every time they gather nectar from a flower they are in complete ecstasy.  Wow, that is what I have been missing focusing too much on my validation.  I paint because it is blissful.  I paint because I love to paint and to create.  My focus should never be about if the paintings will sell, but about how much ecstasy I will receive from each brushstroke.

Also as I was reading about bees I came across the fact that Demeter's priestesses were called bees. Wow....very serendipitous! So I finished Demeter and included a little honeybee on her shoulder. She is dreaming of a better world, a more love centered world. She is the consciousness of the Queen Bee and she is asking for some worker bees to help create this world she is dreaming of. But the honeybees are disappearing and the world seems to be losing hope...too many of us are thinking "What's the use..."
It's time to wake up and follow our bliss.

I feel magical again, and the world is reflecting that to me. One of my magical friends Julia Inglis posted a blog about bees the other day and I noticed it last night. I wrote her to share how wonderful I thought it was that we were synchronized. She wrote a lovely blog about the Winter Solstice (she is in Australia) that has a lot to do with what I just shared. I think there is a big message to many of us to just follow our bliss right now.

I am gestating a Persephone right now. She is going to bring me a lot of bliss....

New wip and a rant

Haven't posted much this month.  I have been real busy painting and getting ready for this coming weekend's showing and next weekend's juried art show.  I promised you a rant in the title so here goes....
People who complain about art costing too much have no idea the amount of work that goes into being an artist.  I think most people think artists just happily paint for a few hours everyday and that is it.  We also collectively have this idea that to earn lots of money we must be working extremely hard at something we hate.
I wish that all I had to do was paint, but that alone would still take up a big chunk of my time.  Each painting I do takes me anywhere from 12 to 40 hours to complete, depending on size and difficulty.  This is usually spread out over many days, painting anywhere from 3 to 6 hours a day.  Once a painting is complete I have to varnish, wire, and sometimes frame.  Varnishing alone can take me hours to do, as I seem to have bad luck with it and often have to go repaint things I messed up with the varnish.  I do all my own framing and this is by no means easy or quickly done.
The other time consuming aspect of being an artist is the copying of your work, or taking photographs, scanning, etc.  I spend a lot of time photographing my pieces.  I have to do it outside on a good weather day.  This can be challenging at best.  Then I have to edit all my pieces in Photoshop to make them as close to the real work as possible to post online.  All of this can take me anywhere from 3 to 5 hours to do, on just one piece of art.  Next you spend time uploading art to all of your websites where you sell prints, Etsy, Red Bubble, etc.  This can often take up an afternoon.
Next you have making prints, packaging prints, shipping prints, making other things to sell like pendants (this takes up lots of time).  So if you add all this up we are going over 40 hours of work a week. 
Pricing your art is one of the hardest parts of being an artist.  What is it's value?  That is a hard question.  We certainly do not get paid for our time.  Just to make a nice round $10 bucks an hour we would have to sell a $400 painting a week, every week.  Then there is the obscure question of how good is it.  We all have seen artwork that sells for thousands that we wouldn't pay $10 for, and ones that sell for $100 that seem to be worth a lot more.
My pricing is random and somewhat based on how much I am attached to the work, and the size of the piece.  I am usually flexible though, and willing to hear offers of course.
Okay, that is about it for my rant, although I haven't even mentioned the high cost of art supplies.  Most of you reading this are artists too, so I am probably preaching to the choir.  But many of my friends that are not artists, even my own husband, have no idea what I do all day.  Somehow I have to fit in cleaning the house, grocery shopping, and taking care of my kids and myself in all of this.  Oh, and I left out the self-promotion on the internet time....like this blog....there is another few hours a day, just trying to get your work out there and seen (advertising).
Okay, on to my current work in progress.  I have been experimenting with different surfaces.  This one is small because it is a sample that I got from Raymar of one of their polyflax cotton canvas panels.  It is a very nice surface that I will definately try again.  It is also what sparked my rant, because it is only 9x12 inches, but I have already put about 12 hours into painting it and am still not totally done.  Just because it is smaller than many of my other works does not mean it is worth less.  I am also really loving it, it has changed a lot already from this pic I am posting now.

Magdalene and the red egg

This morning I am thinking of Mary Magdalene.  She comes to me at different moments in my life and when she does her presence is amazing and for me, life changing.  I have been mainly drawn to the Celtic myth for so many years now.  I have by no means covered all that I want to paint there, and yet these Gnostic yearnings come to me now and then and distract me away from the Holy Isles.
I have painted Mary before, but only her face.

I do love the emotion I captured in her face.  I always imagined it as a young Mary Magdalene meeting Yeshua for the first time.  But now I am being pulled to paint a larger work of her.  I am channeling many thoughts about the work right now and I almost feel like I need to write them down before I lose them.  Sometimes I get triggered like this and have strong impulses to create a new work but can't do it immediately and then I lose that space I was in and the thoughts that were flowing. So I thought I would share one piece with you, in an effort to preserve this energy for later.
It starts with Mary and the red egg.  Often in Eastern Orthodox icons Mary is painted holding a blood red egg.  There are a couple of legends that surround this egg, one being that after Jesus died Mary went to the Roman Caesar to tell him about the poor treatment of Jesus by the Romans and that Jesus had risen.  Mary was sitting at dinner and holding an egg in her hand and Caesar responded that Jesus could no more have risen than that egg could turn blood red.  Of course the egg immediately turned blood red.  Another story is similar but has Mary pulling off the same miracle in front of a group of Russians she was telling the tale of Jesus' resurrection to and when the egg went red it marked "The Way" being brought to Russia.
There are many symbols associated with Mary and what intrigues me is their connection to the chakras and the ascension, or the mastery of death.  I am starting with the red egg as I feel it is a strong symbol for the root chakra.  The egg is the creative potential that we hold at our root.  Red is the color of blood, of creation, of the Earth.  Out of the blackness of the womb the egg and the blood create life.  We connect with the creative energies of the Earth through our root chakras.  All possibilities lie in this energy.  By raising this energy up through the chakras to the sacred marriage chamber of the heart (the place where the goddess meets the bridegroom) we transmute the energy into Love, and from there we can conquer death.  We raise it into consciousness at the third eye, where mind, body, and soul align into one.  We take the hidden potential that lay in the egg and bring it into the light of consciousness.
I feel that in this uncertain time that we are in now, connecting with our red egg is more important than ever.  We need to be bathed in those creative energies everyday to be able to create the new reality that is called for.  Once a symbol is unlocked in your consciousness you begin to see it everywhere, and suddenly it makes more sense what it is speaking to you.  Here is another old work of mine called Bindi:

The root chakra is the way to the third eye.  The root is the primal mother Earth goddess creative force.  You have to tap that before you can evolve into the higher realms of consciousness.  Many, many people are stuck in their root because they ignore the goddess.  This only leads to survival issues and greed.  They ignore their own creative potential.  The way to change the world begins at the root.  This seems more apparent than ever as we sit here fearing for the people of Japan as they are dealing with nuclear meltdowns.  We all know that nuclear weapns are the ultimate result of greed, destruction, and fear; and maybe now we know that nuclear power is not so safe an energy source after all.  Then there is Japan's flag, setting there showing us the way to release the fear and "the way" to ascension is through the root.  The red dot on the flag is called the rising sun (son).  It is time to raise the red egg.

Oh, and I just thought of another red dot...the site I put my artwork on Red Bubble.  It is full of creative people working with their red egg energy.

Facebook Art Auction March 13th-19th

I have a lot of works that I am ready to let go of.  I have decided to try a little experiment, a little Spring cleaning art auction on Facebook.  I have picked some of my older works, mostly ones from 2009, that I still have.  Most of them are soft pastel on paper.  Pastels are hard to store because you need to frame them as soon as possible.  Some of them I have framed, but many are just stored in plastic sleeves.  They need homes.  Most of them I will probably not ever submit to shows.  My current style is also beginning to change a little from these.  So my point is, I would rather see them go to good homes then live in my basement forever, and I am willing to let go of them for a shockingly low price.
Here is a little snippet of some of the works that will be in the auction:

If you want to be a part of the fun you will have to first join my Facebook fan page HERE .  Then on March13th you can comment on the piece with your bid.  You can go to my Facebook page now and look at the album entitled "Dirt Cheap Spring Cleaning Art Auction" to check out the low starting bid prices.  All works have an opening bid of less than $100, some as low as $15.

One finished, one wip

Finally I think my muse has returned. I think she was hibernating most of the winter. I wasn't able to finish Ishtar. I got 3/4's the way done and decided I didn't really like the composition. I am silly that way sometimes. I will throw her on the half done pile and maybe come back to her 6 months from now. I just had this idea, it would be a fun collaboration with another artist to each send the other one of their half dones and see how someone else finishes it off. Anyhoo....
I wanted to paint a girl in a cocoon. That is how I am feeling right now, like I am about to sprout wings but for now I have to be patient in my cocoon. I finished her in about 3 days last week (she is small 11in. x 14 in.). My problem is that my camera is very old and crapping out on me. Everytime I try to take pictures in the larger settings it puts all these vibration looking lines into the work. Luckily my in-laws are giving me a "new" hand me down camera. It's only about 5 years old and still will be a major upgrade from the one I have now. I won't get this fabulous new camera for 4 more days, so I won't be able to take a good pic of her until then. I have a hard time not showing you all my work the minute it is complete so here is a teaser shot:

When I first decided I was going to learn to paint it was because I had decided at the time I would never be able to afford original art and if I wanted some on my walls I would have to do it myself. The point is I am completely addicted to original art. Since being on Red Bubble I have made many connections with other artist and have aquired some orginals through trade. Someday I will post a blog with pics of my "collection".
So my latest aquisition is by the amazing fantasy/faerie artist from Australia Kim Turner. I gave her a painting for her "Ariadne". I just love this painting so much, and seeing it in person is even more amazing than imaginable. I love staring at her painting strokes up close. I can't explain it, but it is like you feel the love she put into it. I think that is the power of true art. I told my husband I got tears in my eyes when I first opened it out of the box and he said "now you know what your art has the power to do for people."
Well, needless to say I was beyond inspired after getting her work. Last night I had to start another painting. I stayed up way too late and started this work I am going to call "The Phoenix Keeper". I am pretty sure it won't end up in the half done pile.

First doggie portrait

Well I have my very first doggie portrait almost finished. Still needs a few more layers of paint, but it is almost there. The client loves the color red and said she likes the pop aspects of my work, so I am hoping she will like the dramatic red sky behind her adorable little girl. Here is the original photo and what I have done so far:




I am having trouble with my digital camera, the viewfinder screen has decided to go out on me. This makes it extremely hard to get good shots of my work, so it looks like it is time for a new one. Doesn't it always seem to go like that, you sell a few things and something goes out where you immediately have to spend the money you made. Such is life I guess. Hope everyone is having a stress free Holiday season (is that even possible?).....