Lexington's biggest arts fair is this weekend. I have been a busy bee getting ready to set up my booth. I will be in the Woodland Christian Church's lawn this weekend. The fair runs Saturday 10 am until 6 p.m. and Sunday 11am until 5pm.
I am running a little promotion of sorts, the first 12 people to come up to me at the fair and say they heard about this on Facebook, or here on my blog, will get a free postcard print and maybe some other goodies too. So definately make sure you come by and say hello this weekend.
Last night I saw this video for the first time and just thought it was beautiful. I think it was pretty viral at one point so you might have already seen it, but it is worth another watch. Lately it seems the news has been littered with things that bad men are doing. Sometimes when I hear too much I begin to get afraid of men. I begin to think that the world is not getting any better, that men are not learning to love. I needed to see this video. I need to watch it everytime I hear too much about the bad men and to remember that there are many men that are trying to be the change, to honor love, and to restore the divine masculine.
The fine art of Tammy Mae Moon
Thursday, August 18, 2011
Monday, August 15, 2011
Monday, August 8, 2011
Dakinis in bikinis...
Okay, not really dakinis in bikinis. I just thought that would be fun to say. Sorry I haven't wrote much in ye olde blog lately. I usually fall into a pattern in the summer where I turn into a virtual hermit in between all the trips. Needless to say this summer has been busy with the kids and trips, but I have managed to get some painting in here and there.
My latest obsession has been with the idea of dakinis (sometimes in bikinis I suppose).
A dakini is a tantric deity described as a female embodiment of enlightened energy. In the Tibetan language, dakini is rendered khandroma which means 'she who traverses the sky' or 'she who moves in space'. Sometimes the term is translated poetically as 'sky dancer' or 'sky walker'.
A dakini comes in many forms and in some ways is related to angels or thought of as bird women of sorts. In many parts of Tibet vultures are considered physical representations of dakinis. Vultures have been revered by many ancient cultures as they are able to transmute negative energies and disease from the physical plane.
It is believed that all women are dakinis, but most do not ever realize this. I like that dakinis are not always pure and perfectly nice, sometimes they are scary and mean too. They are similar to the Valkyries of Norse myth.
I feel that dakinis are muses. I once read where the amazing visionary artist Andrew Gonzales said that he felt like all the women he painted were his dakinis. I really understand this, because as I paint each one of my ladies I form this mystical connection with them. They are me in part, they are my muse, and they are dakinis.
Obviously two of my favorite subjects are birds and women, so I am planning to do a whole series of dakinis I think. Here is some progress pics of my first dakini....
I am working on the feathers around her eyes now and really loving them. Be prepared for lots of feathered masks in the future. I am also giving her some wings, but not really sure how I am going to make those look yet. I hope to have her completed soon. I am hoping to have her done and framed for the upcoming Woodland Arts fair. I will have a booth that weekend in the lawn of Woodland Christian Church, hope to see you there!
My latest obsession has been with the idea of dakinis (sometimes in bikinis I suppose).
A dakini is a tantric deity described as a female embodiment of enlightened energy. In the Tibetan language, dakini is rendered khandroma which means 'she who traverses the sky' or 'she who moves in space'. Sometimes the term is translated poetically as 'sky dancer' or 'sky walker'.
A dakini comes in many forms and in some ways is related to angels or thought of as bird women of sorts. In many parts of Tibet vultures are considered physical representations of dakinis. Vultures have been revered by many ancient cultures as they are able to transmute negative energies and disease from the physical plane.
It is believed that all women are dakinis, but most do not ever realize this. I like that dakinis are not always pure and perfectly nice, sometimes they are scary and mean too. They are similar to the Valkyries of Norse myth.
I feel that dakinis are muses. I once read where the amazing visionary artist Andrew Gonzales said that he felt like all the women he painted were his dakinis. I really understand this, because as I paint each one of my ladies I form this mystical connection with them. They are me in part, they are my muse, and they are dakinis.
Obviously two of my favorite subjects are birds and women, so I am planning to do a whole series of dakinis I think. Here is some progress pics of my first dakini....
I am working on the feathers around her eyes now and really loving them. Be prepared for lots of feathered masks in the future. I am also giving her some wings, but not really sure how I am going to make those look yet. I hope to have her completed soon. I am hoping to have her done and framed for the upcoming Woodland Arts fair. I will have a booth that weekend in the lawn of Woodland Christian Church, hope to see you there!
Friday, June 24, 2011
The Ever changing Persephone
I showed a sketch of my "Persephone's Folly" on my Facebook fan page a couple of days ago. I started painting on her yesterday, and noticed she changed a lot. That often happens when I start painting on them, their faces change and morph on me. I was a little sad at first because there was something in the face of the sketch that I really liked. But now I am realizing there is no way to control Persephone, she is a force that can never be defined or fully understood.
Sketch with some background color added:
Beginnings of skin tone added, she changed already:
Where she is now:
Luckily I don't have to write a novel here telling you all about Persephone. We all know her story, and yet none of us really knows if she ate all those pomegrante seeds on purpose or if she was a victim (I don't think she was a victim).
One thing I am trying to bring through in this painting is the tree of life. In a lot of old paintings a snake is wrapped around a tree to signify it as the tree of life. I have a snake wrapped around Persephone and vegetation in her hair along with the look of her hair to hint to her being the tree. She represents the Underworld, the subconscious, the tree of life that connects to both the Underworld and the Upperworld.
She is also holding the fruit like a tree bearing fruit. I am also paying homage to one of my favorite painters and my favorite Persephone painting. Dante Gabriel Rossetti's "Proserpine":
Sketch with some background color added:
Beginnings of skin tone added, she changed already:
Where she is now:
Luckily I don't have to write a novel here telling you all about Persephone. We all know her story, and yet none of us really knows if she ate all those pomegrante seeds on purpose or if she was a victim (I don't think she was a victim).
One thing I am trying to bring through in this painting is the tree of life. In a lot of old paintings a snake is wrapped around a tree to signify it as the tree of life. I have a snake wrapped around Persephone and vegetation in her hair along with the look of her hair to hint to her being the tree. She represents the Underworld, the subconscious, the tree of life that connects to both the Underworld and the Upperworld.
She is also holding the fruit like a tree bearing fruit. I am also paying homage to one of my favorite painters and my favorite Persephone painting. Dante Gabriel Rossetti's "Proserpine":
Wednesday, June 22, 2011
Demeter and bees
I finally finished Demeter this week.
I lost my inspiration to work on her about three-fourths of the way through. I have been struck with that a lot lately...lack of inspiration. In fact I have been feeling very disenchanted about everything of late. I have been way too focused on the physical. Sometimes we get too wrapped up in being validated and we translate validation into how much money we are making. Like many artists, it's often feast or famine around here and mostly leaning towards the famine. It is very easy to fall into the "what's the use" thought pattern, and when you do it is very hard to find inspiration.
So that's where I was a little over a week ago. I was walking around in my backyard barefoot playing with my daughter when I stepped on a honeybee. He stung me twice on the right foot and it hurt like all get out. I got most of the stinger out, but I guess missed a small part of it. A couple of days later my foot swelled up. That little bee sting caused me a lot of trouble.
After I realized I still had some stinger left and got it out, it suddenly dawned on me that that little bee might have been sent to wake me up. I was led right to an article on the internet about the magicalness of bees. Rudolf Steiner believed that bees were sent to Earth from Venus. Venus holds the energy of the heart chakra for our solar system. Bees form their honeycomb in the patterns of hexagrams which are connected to the heiros gamos or Star of David; also a symbol for the heart chakra.
Bees are all about love and bliss. They are our example of unity consciousness and what working together for the higher good can do....produce the sweetest of life's nectar. The biggest message that came through to me was that for a bee "THEIR WORK IS THEIR BLISS". Every time they gather nectar from a flower they are in complete ecstasy. Wow, that is what I have been missing focusing too much on my validation. I paint because it is blissful. I paint because I love to paint and to create. My focus should never be about if the paintings will sell, but about how much ecstasy I will receive from each brushstroke.
Also as I was reading about bees I came across the fact that Demeter's priestesses were called bees. Wow....very serendipitous! So I finished Demeter and included a little honeybee on her shoulder. She is dreaming of a better world, a more love centered world. She is the consciousness of the Queen Bee and she is asking for some worker bees to help create this world she is dreaming of. But the honeybees are disappearing and the world seems to be losing hope...too many of us are thinking "What's the use..."
It's time to wake up and follow our bliss.
I feel magical again, and the world is reflecting that to me. One of my magical friends Julia Inglis posted a blog about bees the other day and I noticed it last night. I wrote her to share how wonderful I thought it was that we were synchronized. She wrote a lovely blog about the Winter Solstice (she is in Australia) that has a lot to do with what I just shared. I think there is a big message to many of us to just follow our bliss right now.
I am gestating a Persephone right now. She is going to bring me a lot of bliss....
I lost my inspiration to work on her about three-fourths of the way through. I have been struck with that a lot lately...lack of inspiration. In fact I have been feeling very disenchanted about everything of late. I have been way too focused on the physical. Sometimes we get too wrapped up in being validated and we translate validation into how much money we are making. Like many artists, it's often feast or famine around here and mostly leaning towards the famine. It is very easy to fall into the "what's the use" thought pattern, and when you do it is very hard to find inspiration.
So that's where I was a little over a week ago. I was walking around in my backyard barefoot playing with my daughter when I stepped on a honeybee. He stung me twice on the right foot and it hurt like all get out. I got most of the stinger out, but I guess missed a small part of it. A couple of days later my foot swelled up. That little bee sting caused me a lot of trouble.
After I realized I still had some stinger left and got it out, it suddenly dawned on me that that little bee might have been sent to wake me up. I was led right to an article on the internet about the magicalness of bees. Rudolf Steiner believed that bees were sent to Earth from Venus. Venus holds the energy of the heart chakra for our solar system. Bees form their honeycomb in the patterns of hexagrams which are connected to the heiros gamos or Star of David; also a symbol for the heart chakra.
Bees are all about love and bliss. They are our example of unity consciousness and what working together for the higher good can do....produce the sweetest of life's nectar. The biggest message that came through to me was that for a bee "THEIR WORK IS THEIR BLISS". Every time they gather nectar from a flower they are in complete ecstasy. Wow, that is what I have been missing focusing too much on my validation. I paint because it is blissful. I paint because I love to paint and to create. My focus should never be about if the paintings will sell, but about how much ecstasy I will receive from each brushstroke.
Also as I was reading about bees I came across the fact that Demeter's priestesses were called bees. Wow....very serendipitous! So I finished Demeter and included a little honeybee on her shoulder. She is dreaming of a better world, a more love centered world. She is the consciousness of the Queen Bee and she is asking for some worker bees to help create this world she is dreaming of. But the honeybees are disappearing and the world seems to be losing hope...too many of us are thinking "What's the use..."
It's time to wake up and follow our bliss.
I feel magical again, and the world is reflecting that to me. One of my magical friends Julia Inglis posted a blog about bees the other day and I noticed it last night. I wrote her to share how wonderful I thought it was that we were synchronized. She wrote a lovely blog about the Winter Solstice (she is in Australia) that has a lot to do with what I just shared. I think there is a big message to many of us to just follow our bliss right now.
I am gestating a Persephone right now. She is going to bring me a lot of bliss....
Friday, June 3, 2011
Demeter's Dream, new WIP
I don't know what it is about this time of year, but my creative spark always seems to get extinguished. I guess all I feel like doing is hanging out at the pool with the kids and drinking a beer on the patio. Ahhhh summertime :)
I finished the Cosmic Clown, but was still not completely satisfied with her. I need to take a good photo of her, but just haven't yet. I think I forced her when I just was not in the mood to paint. So I took a couple of weeks off. Then a commission came in, and I needed to get back into the swing of things. I hate to start a commission when I am in a creative slump or it ends up being forced too. This coming commission is one where I really need to connect in a heartfelt way so I decided to try a new piece to warm me up. I think it worked, I am feeling the spark light up again.
So I thought I would show you more of the whole progression of this one. She is one of those pieces that I changed a lot as I went along. Here is what I have done so far on her:
I still have a lot of details to work out on her, but I will probably start that commission now. Got to do it while I am on a creative roll :). These days I seem to need to grab it while it lasts. The kids have their last day of school today, so things are going to be different around here for awhile. Trying to paint with them around can be interesting at best with them chanting "I'm bored, there's nothing to do" in the background. I end up painting a lot into the wee hours of the night during the summer, which is okay since I don't have to get up at 6 a.m. to get them to school.
When I do finally get "Demeter's Dream" done I will write a little more about her for you. Until then, happy summer (or winter if you are in Australia).
I finished the Cosmic Clown, but was still not completely satisfied with her. I need to take a good photo of her, but just haven't yet. I think I forced her when I just was not in the mood to paint. So I took a couple of weeks off. Then a commission came in, and I needed to get back into the swing of things. I hate to start a commission when I am in a creative slump or it ends up being forced too. This coming commission is one where I really need to connect in a heartfelt way so I decided to try a new piece to warm me up. I think it worked, I am feeling the spark light up again.
So I thought I would show you more of the whole progression of this one. She is one of those pieces that I changed a lot as I went along. Here is what I have done so far on her:
I still have a lot of details to work out on her, but I will probably start that commission now. Got to do it while I am on a creative roll :). These days I seem to need to grab it while it lasts. The kids have their last day of school today, so things are going to be different around here for awhile. Trying to paint with them around can be interesting at best with them chanting "I'm bored, there's nothing to do" in the background. I end up painting a lot into the wee hours of the night during the summer, which is okay since I don't have to get up at 6 a.m. to get them to school.
When I do finally get "Demeter's Dream" done I will write a little more about her for you. Until then, happy summer (or winter if you are in Australia).
Thursday, May 19, 2011
The Cosmic Clown, a slow work in progress
Sometimes when I take a break from painting for a week or so, it is so hard to get back into it. I am not an artist that can just constantly paint and churn out work. I can't seem to just paint to be painting. I have to really be inspired and in my creative zone it seems. Then there is the perfectionist in me that thinks every work needs to be even better than the last one. This gets me into trouble a lot, as it is right now.
I started a new painting last week. I had no real plan with it. Honestly, I had been staring at the amazing work of Nashville artist Danielle Duer and those crazy little inky designs she does. I wanted to play around with some ink and tiny little brushes, and that's about it.
I didn't use a reference model. I usually find some pic of a fashion model and base my girl roughly off of her, but this time I made her up. I just wanted to see what happened. Well, I could not get something I liked. I gessoed and gessoed over her face. I got frustrated over and over with the way she was looking, and yet nothing I did seem to make it better. She kept seeming too masculine and not "pretty enough". This made me really think about what my real goal for the piece really was. Why do I need them to be pretty?
Once I started to think about that the whole idea for the painting came to light, and maybe ideas for future ones too. I got to thinking about expectations laid upon us, and about how we are eternally acting out these expectations. We are truly always acting, even when we are being the most real. The Internet is where we really do our best acting and Facebook seems to be our greatest stage. We present ourselves in a certain way by what we choose to show others.
So I realized this painting is frustrating me because she is reflecting me in so many ways right now. She came completely out of my subconscious and I guess this is what my subconscious wants to express in the now. I want to do a series of paintings that touch upon our many roles. Especially as women, we are expected to play so many roles...nurturer, listener, healer, warrior, provider, maid, sex kitten, the list goes on and on.
I am starting with the Cosmic Clown. In college when I was studying Western Native American cultures I was always struck by the idea of the Sacred Clown. This idea was so very important to cultures like the Lakota and the Hopi. These clowns exposed hypocrisy and arrogance before these behaviors got out of hand. Thus Sacred Clowns were considered spiritual leaders in their tribes, because they helped keep the balance in the community.
So my Cosmic Clown is a Sacred Clown, but maybe a wounded one. One that knows how important her role still is, but also knows that no one seems to care anymore about the part.
I am working really slow on her. It is not a big painting or particularly detailed, I am just having so much trouble finding the energy to finish her. I keep thinking I am going to put her on the unfinished shelf, but for some reason I don't. I know it is still because she is not perfect in my mind. Why can't I get over that expectation? Oh, those nasty expectations.......
I started a new painting last week. I had no real plan with it. Honestly, I had been staring at the amazing work of Nashville artist Danielle Duer and those crazy little inky designs she does. I wanted to play around with some ink and tiny little brushes, and that's about it.
I didn't use a reference model. I usually find some pic of a fashion model and base my girl roughly off of her, but this time I made her up. I just wanted to see what happened. Well, I could not get something I liked. I gessoed and gessoed over her face. I got frustrated over and over with the way she was looking, and yet nothing I did seem to make it better. She kept seeming too masculine and not "pretty enough". This made me really think about what my real goal for the piece really was. Why do I need them to be pretty?
Once I started to think about that the whole idea for the painting came to light, and maybe ideas for future ones too. I got to thinking about expectations laid upon us, and about how we are eternally acting out these expectations. We are truly always acting, even when we are being the most real. The Internet is where we really do our best acting and Facebook seems to be our greatest stage. We present ourselves in a certain way by what we choose to show others.
So I realized this painting is frustrating me because she is reflecting me in so many ways right now. She came completely out of my subconscious and I guess this is what my subconscious wants to express in the now. I want to do a series of paintings that touch upon our many roles. Especially as women, we are expected to play so many roles...nurturer, listener, healer, warrior, provider, maid, sex kitten, the list goes on and on.
I am starting with the Cosmic Clown. In college when I was studying Western Native American cultures I was always struck by the idea of the Sacred Clown. This idea was so very important to cultures like the Lakota and the Hopi. These clowns exposed hypocrisy and arrogance before these behaviors got out of hand. Thus Sacred Clowns were considered spiritual leaders in their tribes, because they helped keep the balance in the community.
So my Cosmic Clown is a Sacred Clown, but maybe a wounded one. One that knows how important her role still is, but also knows that no one seems to care anymore about the part.
I am working really slow on her. It is not a big painting or particularly detailed, I am just having so much trouble finding the energy to finish her. I keep thinking I am going to put her on the unfinished shelf, but for some reason I don't. I know it is still because she is not perfect in my mind. Why can't I get over that expectation? Oh, those nasty expectations.......
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