The Temperance Card

I am very honored to be included in the 78 tarot project.  This is a global project that includes 78 artists, each making one tarot card for a collaborative deck.  My card is the major card "Temperance".  I thought I would briefly write a little about my process and why I chose the symbolism I did for the card.
First I sketched this out on paper with my first ideas for the work.

I wanted to include some of the traditional symbols of the Temperance card, but change them up a little.  Usually the card pictures an angel, often thought to be the Archangel Gabriel or an androgynous being, holding two cups and pouring water both out of and into each cup at once as if he is maintaining a delicate balance of the water (which is usually symbolic of both emotions and spiritual essence).  Gabriel stands with one foot on the earth and one foot in the water to also symbolize that delicate balance between our emotions and being grounded, or between the spiritual and the material worlds.
For my card I still chose to draw an angel, possibly Gabriel.  I have chosen to represent the two forces that need to be balanced as swans as swans are an animal that live both on the land and water.  For this reason swans are a strong symbol used in a lot of ancient myth the world over.  They were believed to travel across the veil into the Otherworld and can often lead people from this material world into the Otherworld, or spirit world.  One of my swans is painted black and stands in the water, the other is white and stands upon the earth.  The black swan represents the material world and yet stands upon the water of spirit.  The white swan represents the spirit world, and yet stands upon the material.  So in a sense I wanted to continually mix up these two symbols showing their need for balance or temperance, just as the water has to be continually balanced in the traditional card.
The swans are also standing in a defensive pose as if they might attack one another.  This is showing how these two forces are always at odds with one another and again our need for balance.  The triangle on her chest is a traditional symbol and represents the feminine energies being protected by natural law.
I changed up a few things from my sketch into the final painting, which was done in soft pastel and colored pencil.  Here is the final card:

The egg shape above the triangle is representative of the ancient Orphic Egg or Cosmic egg.  In ancient Greek myth the first hermaphroditic being hatched from the cosmic egg. The Temperance card is about bringing balance, patience, and moderation into your life.  The cosmic egg represents our dreams protected delicately at our heart, and shows the need to protect it, and to balance it in the middle of those warring energies of spirit and material needs, so that we can manifest those dreams when it is time.

Those are the main symbols in the card.  I had a lot of fun manifesting it.  Please be sure to check out the 78 Tarot project to see all the cards and learn about their creation.

The Temperance card original painting is also currently available.  Please contact me at moonspiralart@yahoo.com if interested in purchasing.

Collaboration with Stephanie Allison

Stephanie Allison and I have decided to do a fun little collaboration.  We each are going to paint half a canvas and then mail it to the other one to finish the other half.  I started on an 11x14 canvas panel and thought I would give you all a step by step look at how it evolves.  After I send it off to Stephanie she is going to do the same at her blog, so be sure to follow the whole progression over there.
I often post a few wips of my work over on my Facebook page, but rarely do I remember to take photos at every step.  Since this one was a small quick piece I tried to stop myself and take some photos.  I wanted to especially show you how much I often struggle to get the perfect skin tone and hair color on my girls.  Unfortunately with me, it is often just guesss work and not really an exact science.  So here we go:

The beginning sketch above.  With a quick wash of ultramarine blue below (after I sprayed it with a light layer of workable fixative).

When I first start adding skin tones they can look a mess for awhile.  Adding fixative over the canvas makes the first layers of paint not stick so well too.  I have to lay down a lot of thin layers early on and let them each dry.  At first they can look a mess for awhile, but I try my best to add the shadows and dark areas first.

Below I am adding in the darks of her hair.  I am trying to figure out where to go with her skin tone.  She is a little too pink and pasty at this point.

I think I want to go blonde, but it does not look good with her skin tone.

So I added some orangey tones to her skin and decided to go dark with the hair.  Had to add a mask too.

Getting close to done now.  Just got to add the peacock details.

And here is she is all done...well at least my side.  I kind of hogged a little more than half, I hope Stephanie doesn't get annoyed with me!

WIP "The Gifting"

I had this plan to do the three fates of Greek mythology one at a time. I was going to start with Clotho, the fate that holds the distaff and begins the weaving of the fate of each human. I am intrigued by the fates, and other web/weaving goddesses like Ariadne. They are often connected to the stars and spiders. Also the word faerie is derived from the Latin fata, or fate. It has been speculated by many that actual faeries were "people" with the gift of second sight, or the ability to see the future.
I wanted to do my Clotho in a very modern way or another one of my "pop surrealistic" goddesses. I started to work on the pencil sketch on a larger size (for me) 24x36 canvas.



I struggled with her face a little more than usual. Something about her really bothered me. I decided to give her my bangs for some reason. I almost think she looked too much like me and that was what was bothering me. I erased her face more than a few times and finally decided to just let it go and she would evolve once I started painting.



I sometimes do my sketches with a water soluble graphite pencil that does not need to be fixed before you add the acrylic paint. It ends up just blending away with the paint. For this painting I used regular old graphite and sprayed it with a fixative before I painted. I thought I wanted to leave a lot of the graphite lines showing, but now I am wishing I would have put a light coat of white gesso over it to dim the pencil lines a little; you live and you learn I guess. Here she is with an added hand:



I have drawn a barn owl in the background that I planned to be bringing her the beginning of the thread. I wanted it to be as if she was chosen by nature to have the gift of sight. As I am looking more and more at it though, I am thinking about making the thread that the owl is holding a snake instead. I guess I haven't quite gotten over my snake obsession yet. Here she is with some background color:



I finally started to like her face and her general look. I am not really sure if she is still Clotho, maybe just an ambiguous woman being gifted by the Otherworld. I still feel for some reason there is more of me in her than normal.



This is the last photo I took of her. I have since added a delicate off the shoulder blouse on her. I hardly ever dress my girls so I thought I would play around with some fabric. I need lots of practice with fabric folds. I am excited about this one now, I wasn't at first. Funny how your work can evolve sometimes into more than you expected when the idea was first birthed.

Quetzalcoatl, WIP

I started a new painting this weekend and was progressing pretty quickly on her,and then got a cold today. I don't have a lot of energy to paint on her today so I thought I would post a WIP. She is a little bigger than my usual, 24x30, and I think I really like this size!

The first image is of my pencil sketch on the canvas. I do a pretty rough sketch just to know where everything is going to be. I was having a pretty hard time deciding where her back was going and if I should add butterflies or not. I erased a whole bunch at this stage.

Here she is with some color added. I have decided to change the way I had her orientated in the sketch and to get rid of the butterflies for now. I might add some at the end, but now I am thinking some kind of blackbirds flying in the distance added at the end.

Here is what she looks like right now. I have most of the elements painted in, and a whole lot of detailing to do and trying to de-sloppify some sloppy elements. I can be pretty impatient when I first start a painting. I want to get everything on the canvas quickly so I can get an idea of what it will look like. Then I go back and detail and fix my mistakes.
I am pretty happy with her so far. I know I am because I keep staring at her. Sometimes they just really captivate me, and that is when I know I am doing something right.
I am calling her Quetzalcoatl after the Mayan feathered serpent god. I will go into that more when I post the final painting. I am just really enjoying painting snakes lately. I also think the Slyvia Ji influence is even stronger in this work. I am just completely taken with her work. I know this painting has my own touch, but it is highly influenced by her amazing work.
Hopefully I will have this done within a week or two, but right now I think I just need to lay down. I worked at my daughter's preschool two days in a row last week, I am sure that is where I picked up this cold...dang it :)

I have not been keeping this blog very up to date. I keep forgetting about it; guess I am not the best blogger around. Sometimes I feel like I have so many thoughts in my head it would just take too much time to blog about it. Well anyway, here is the latest completed piece "Jezebel".



I rather like the way she turned out. Jezebel had about the worst treatment of a woman in the Bible and one of the most horiffic deaths. Basically she was flung out of a window and left to be torn apart by wild dogs. Recent archeaological finds have proven that she was a very powerful woman in the ancient world (as it seems that in the Bible the word whore is a code word for "really powerful woman"). Also her name was most likely not Jezebel but this was a corrupted spelling of her real name, I mean who would name their daughter whore of god in the first place. We probably will never know the truth of who Jezebel was as her story was written by her murderers as they were trying to justify their killing of a woman.
I wanted to paint Jezebel in honor of all women who have been born to be the ones that we could blame.
I must have listened to Iron and Wine's Jezebel about a thousand times while I painted this. I really do feel like a painting can take on the vibration of the music you listen to while painting.http://www.youtube.com/watch?v=ghBJhGIcneU

Dragonfly WIP

This is a very rough sketch to the piece I am currently working on. I am almost done with her now and she looks a little different than this sketch, but this gives you a rough idea as to what she will look like. I am working on refining my style. Being the Libra that I am, my art often reflects my indecisiveness. Sometimes I only want to do highly spiritual, symbolic, and mystical art and other times I just want to paint big eyed girlies. I am noticing that the artists that I am the most drawn to all fall under the catagory of Pop Surrealism. I like the idea of slightly distorting reality, and focussing on our vanity and messed up self-image constructs.
A friend of mine showed me this link It is for a Digital Retouch website that shows before and after shots of all the models. It is amazing how much they do to give us a false view of what beauty is. I guess that is what I want to explore. How beauty can be seen in the absurd and how we can easily distort our vision of beauty.
I think even the big eyed girlies can be spiritual art. With my work it is the eyes that convey the story of each soul I paint. They look back at you and hopefully speak to you. At least that is what I hope they do. Anyway, that is what I am wanting to paint for now. I could change my mind tomorrow.