Coimimeadh comes out of nowhere

This has been an odd month to say the least. Like everyone else I have been busy getting ready for the Holiday, and then the energy of this month has really been wacky. The mix of Venus in Scorpio making me feel sorry for myself with Mercury Retrograde blocking my abilities to communicate my feelings has been tough. I have been feeling completely uninspired in some ways, and that is where the feeling sorry for myself comes in. I keep trying to start paintings and then getting angry because I can't do what I want to do and trashing them. I started a Rhiannon and I was struggling making her look right.
Sometimes I have trouble when I try to put too much into one painting. Although I would like to do more illustrative scenes, I seem to be better at doing portraiture and keeping the backgrounds simple. When I try to add too much to the scene the work just seems to become a jumbled mess, and this is what happened to Rhiannon. I had to walk away from her, but I had this overwhelming desire to paint something and I was out of canvas. I found one of the faeries I started a couple of months back and didn't finish. At the time she was just a faerie with a sort of Klimt like cloak over her. A couple of months ago I got completely bored with her, and yet suddenly I looked at her and fell in love with her again.
I started working on her again and finished her within a couple of days. I added a barn owl, and then felt like I was looking at my co-walker. In the Faerie Tradition you meditate or journey to the Otherworld or Faerie realm as a sort of Shamanic practice. One of the practices is to meet and work with your co-walker, or Coimimeadh in Gaelic. This co-walker is like your double on the otherside and by working with them you form a sort of symbiotic relationship in which you both grow by bringing the energies of the other's world into your own.



I am actually a little shocked that I was able to bring her forth right now. I think it was because I needed to see her right now, to bring her into the physical. I am feeling my inspiration coming back now. The barn owl is also my spirit animal that I often meet on my journeys to the Otherworld and she appears in many of my paintings.
So I am starting to feel the return of the light, but still Mercury Retrograde bit me yesterday. The ignition switch on my car went out in the YMCA parking lot. Although it is a bad time of the year to deal with car trouble (like there is ever a good time) part of me is laughing.
Hope everyone else is dodging Mercury this time around, Merry Yule!

First doggie portrait

Well I have my very first doggie portrait almost finished. Still needs a few more layers of paint, but it is almost there. The client loves the color red and said she likes the pop aspects of my work, so I am hoping she will like the dramatic red sky behind her adorable little girl. Here is the original photo and what I have done so far:




I am having trouble with my digital camera, the viewfinder screen has decided to go out on me. This makes it extremely hard to get good shots of my work, so it looks like it is time for a new one. Doesn't it always seem to go like that, you sell a few things and something goes out where you immediately have to spend the money you made. Such is life I guess. Hope everyone is having a stress free Holiday season (is that even possible?).....

Siren's Call Finished.....or not....

Well I think I have finished with the Siren's call. I am sure every artist feels this way, sometimes I feel like they are never finished. I am a wierd mix of perfectionist and lazy sometimes. I work really hard at each painting, but I always feel like I need to do more. The only way I know I am done is when I get bored with the painting and feel like I can't stand to do anymore with it. It's not that I don't love them, I just think that is my personal in-built mechanism to make me stop painting.
It is cold, slightly snowy and cloudy here today. There is no way I will be able to get a good pic of her today outside. There is a big dilema when you take your own pictures of your work when winter comes. But hopefully I will be posting the final pictures of her soon.
I set up a new newsletter today. I guess that is pretty exciting. I want to do some fun things with it, more than just the ramblings you might read here in my blog. I hope to do some print giveaways, and do some writing about astrology, tarot, and other spiritually directed things. I hope it will be a fun and informative newsletter that people will look forward to getting once a month. You can sign up for it at my website here.
Alright then, I guess that is about it for today....sorry no pics of my Siren yet, but it is coming soon.

New WIP, The Siren's call

Started a new painting a few days ago, just haven't gotten very far with her yet. This one is going to be similar to The Bridge in many ways. I am thinking about the siren and her haunting call. In myth she calls men and/or sailors to their deaths with her song. Of course mythical beings associated with water are always connected to the feminine consciousness and the subconcious mind. Water is like the void or the womb, where all of creation springs from.
I think that the siren's call is the call that beckons us onto the spiritual path. It calls for us to begin the journey into our subconscious, the journey of unpeeling our issues and facing our egos. The problem comes when we are not quite ready to deal with these issues.
Many people have a constant yearning for something that they can never define. In a sense, that yearning is the siren's call. Many people also choose to try and distinguish that yearning with the proverbial sex, drugs, and rock n' roll. The things that they think will get them closest to union with god/goddess, without having to face their ego. I think this is the destruction that the siren leads most men too, but she can also lead you to the destruction of your ego.
I have included an egret because they are a bird, along with other herons, that are always on the edge of the two worlds (water and land, physical and spiritual). Also there is a loon because they have a haunting call just like the siren. Here is what I have so far:





I have been struggling a lot with the background on this one. It just doesn't want to show itself fully to me yet, but I think it is starting too.

The Hare and The Bridge

I finished painting The Bridge today and will start posting her places later. First I thought I would write a little about the Hare since I covered the Fox in my last post. The hare is connected to the moon in many cultures (as you can see a hare in the moon). It is also connected to the Faerie realm like the Fox, as it is mainly seen at Dusk and Dawn.
Many moon, hunting, and love and fertility goddesses are also connected to the Hare. The Hare is a very strong symbol of ancient feminine magic and the Otherworld. The hare symbolizes fertility and new life. The goddess herself represents the energy of nature and the ever-turning cycles of birth and rebirth. Therefore it makes perfect sense that the hare is so connected to the goddess as the hare is an animal that is prey to almost every predator, and yet it's hightened fertility allows it to be reborn again and again.
I was born during the year of the Hare in Chinese astrology and that is probably another reason why I am so obsessed with the moon, that and my moon was in Cancer.
Here is a not so great pic of my lil' Hare in "The Bridge":

The Bridge and the Fox

I made some good progress on "The Bridge" this weekend. I am actually really happy with her so far. I am working on the wee lil' fox in it right now and having the best time. I really need to explore painting more animals. I have been almost obsessed with birds for so long, it is time to open up to more animal energy.
Fox really wanted to be in this painting. I have been seeing foxes all over the place for weeks now. Fox is not really a totem energy I have worked with much before, but it makes so much sense why she is showing up now. I originally placed fox here because she is one of the animals associated with the Faerie realm, because she is seen only at dawn and dusk. These are the times "in between" when the doors to the Faerie realm are open. But fox's connections with camouflage, shapeshifting and invisibility are quite interesting too.
All of these abilities are associated with feminine magic. According to Ted Andrews in his book "Animal Speak", there are 21 species of fox. 21 is The World card in tarot. Andrews states that this reflects that the world is "growing and shapeshifting itself into new patterns that will be beneficial".
Ancient Chinese and Native American lore both tell of beautiful maidens that can shapeshift into a fox and can be the downfall of men that fall in love with them. Again from Andrews: "This is very symbolic of the idea of magic being born within the feminine energies, and that unless a male can recognize the magic of the feminine-in himself or others-and learn to use it to shapeshift his own life, it will ultimately lead to destruction." Well that just about sums up the idea behind most of my paintings, and now I see more clearly why fox wanted to be in this one.
Here is a little peak at my lil' fox friend:




I am going to start painting the hare soon, and will try to post a little about her symbolism when I do.

New WIP and one that will never be

I usually like to finish any work I start, but lately that hasn't been the case. I use to just be able to crank out work even if I didn't feel overly in love with it as I was working on it. It seems now I have to be completely in love with what I am doing or I lose interest.
I have started two faeries over the past few weeks and have gotten more than halfway done and then got bored. Who knows, maybe someday I will finish them. I also tried to do a self portrait. I have been reading the Harry Potter series to the kids and I am completely jealous of all those wizards and their pet owls. I decided to do a portrait of me with a pet owl (and really long hair). This is as far as I got.

I did it on a scrappy piece of watercolor paper, and when I started to paint on it I suddenly remembered I hate painting on watercolor paper. The paint just dries way too fast and never looks very vibrant to me. There are a few watercolorists that can achieve vibrant color on paper, but it seems I will never be one of them. So it looks like I will never finish my owl and me.
I have started one I think I will finish though. This one will be called "The Bridge". It has to do with becoming a bridge between the worlds. The work includes a fox and hare, two animals that are only seen in the in-between times of Dawn and Dusk and are thought to lead people into the Faerie realm.

Sacred Familiar Interview

The Sacred Familiar newsletter "Within The Grove" came out today and I am very honored to be featured in it. Julia Inglis does such a wonderful job and puts a lot of hard work into writing this. Please checkout her site at www.sacredfamiliar.com



You can read the entire interview here.

Updates and good news

I always love the energy in October leading up to Samhain. I got married ten years ago on a Friday the 13th (Freyja's day) in October. I have always thought it is one of the most magical times of the year. It has been feeling especially magical for me lately.
Maybe it was the Aries full moon in Scorpio, but I am feeling the energy of the Divine Masculine. It is an energy that says "it is time to go out and make things happen". It is the energy of the Magician card, the uncovering of your personal power so you can manifest your desires in the physical world.
So here is some of the magical things that have happened just in the last week. Firstly, my work is being published right now in a book called "Angels and Goddesses". I should be receiving my copy any day and I am very excited to get it, to see my work alongside about 30 other talented artists and photographers.



Next, I have found a partner to manifest something I have dreamed about for awhile now. It is still in it's preconception phase so I won't say much about it, but it has to do with tarot (hint, hint :).

Then just yesterday I found out that I have been selected to show my artwork at next year's Divina et Femina IV. This is an international conference held in Ottawa, Ontario Canada. The keynote speaker this year will be Z. Budapest. I am over the moon about this. There will be lectures, artists, writers, all about the Divine Feminine. I am a little worried about how I am going to make it there, but it is not until the end of May, so I will try my best to make it happen.

My final great news has to do with a fabulous newsletter that will be highlighting my artwork later this week. It is a newsletter out of Australia called "The Sacred Familiar". It is a remarkable newsletter put out by Julia Inglis and Tony Esta. They run a school for the intuitive arts. I can not say enough about this beautiful newsletter. It is full of good insights, and great art. They have highlighted my talented friend Patricia Ariel a few times also. Please check them out at www.sacredfamiliar.com and sign up for the newsletter.

I hope you are all enjoying the wonders of this time of year. Happy Halloween/Samhain!

WIP "Deirdre of the Sorrows"

A couple of weeks ago I decided to start working on a Deirdre of the Sorrows. Deirdre is one of the most tragic characters of Pre-Christian Irish Myth. Her story comes from the Ulster cycle and has all the makings of a classic fairy tale, except for a very unhappy ending. I originally just wanted to paint a Celtic goddess that was known for her otherworldly beauty and was drawn to Deirdre. Her story is a little bit like Helen of Troy, a beautiful woman that causes the ruin of kings and warriors, but the symbolism of the story is so rich I couldn't resist painting it.
There are many versions of this story, at least 5 plays and 4 books have been written about her, and although the stories vary slightly, the basic theme is the same. So Deirdre is born to a royal storyteller in the court of the king Conchobar. A Druid priest prophesied when she was born that she would be the ruin of the king and the kingdom because of her great beauty. She was almost put to death for this, but the king was so intrigued by her future beauty that he decided to keep her alive and marry her when she grew up. He placed her in foster care hidden away from others.
Here is where the story starts to intrigue me. She lives in a house hidden under the ground (faerie dwelling=sidhe) and is mainly cared for by an old woman named Leabharcham. Leabharcham is the wise crone goddess and/or possibly a high priestess of the old ways. One day Deirdre looks out and sees her foster father slaughtering a young calf during the winter as there is snow on the ground. This in itself is strange because in the old faerie lore you did not slaughter animals after the Blood moon in late October or early November. Any animal or grain harvested after this time belonged to the Fay or the dead ancestors and would harm the living if they partook of it.
So Deirdre looks out at the scene and sees a raven come and start to nibble at the blood on the snow. Most people would see this as some kind of dark omen, but Deirdre sees her future lover and proclaims that she would like to have a lover like that with hair the color of a raven, lips as red as blood, and skin as white as snow. At this point one might be reminded of Snow White, and one should be. The white as snow, red as blood or rubies, and black as the raven is like a code in fairy tales. White, red, and black are the colors of the Dark goddess and of the Faerie realm. I think that Deirdre is claiming her lover to be the goddess, or rather stating her love for the goddess here.
So the symbolism has laid the hints. Deirdre is in the faerie realm. She is between and betwixt the worlds, just like Snow White was when she entered the dark forest and met the gnomes (or dwarfs if you want to call them that). She soon meets this raven haired pale skinned Marilyn Mansion looking lover named Naoise. She runs away with him and lives in some forest in Scotland for awhile and lives blissfully happy there for a moment.
Eventually they have to return to Ireland. In a nutshell, Conchobar succeeds in having Naoise killed, marries Deirdre but she is miserable and kills herself. In one account she knocks her head on a boulder as her carriage is passing it. So what is the meaning of all this tragedy? Like most myth, the meaning is multi-layered, but one meaning seems to come out at me. I think in part, this story is about the old matriarchal Bronze age goddess societies being taken over by the more Patriarchal warrior ones. I think it is trying to warn people that the way of war and Patriarchy is a road only to greed and ruin.
Deirdre is the sovereign goddess in this tale, as at that time a king was still not truly a king unless he was married to the sovereign goddess. She was the living representative of the goddess and the Earth or the land. If we are too greedy with her, if we take advantage of her, she will perish and so will our kingdoms.
Okay, so now on to my painting. It is a lot of pressure to try and paint a face that would cause the downfall of so many men. Hopefully I captured her beauty and otherworldliness here:












You can see the pencil workings of a raven that will be carrying a serpent shaped golden torque. In some accounts of the story Deirdre has a dream right before Naoise is killed of hundreds of ravens flying with bloody torques in their mouths. I think this is a strong symbol for the story as a whole. Gold and white are similar in their symbolic meaning, and I am painting the torque (which was worn around warriors necks) in the oroborus style to again symbolize the goddess.

As always, I hope to have this finished this week....we will see. I am leaving you with a photo of me in the Underworld of Faerie (or better known as Cathedral Caverns in Northern Alabama) surrounded by the energy of gnomes.

Finding Balance and Lilith

Sorry I have been incommunicado for so long around here. I am coming out of a long period of a creative dry spell that coincided with the dog days of summer. I have felt completely disconnected from my spirit and fully immersed in the physical world and the day to day lately. But as the Autumnal Equinox approached I felt the old magic starting to return. I started to paint again and started to feel the presence of Lilith. I have been working on a Lilith painting for a couple of weeks now. Lilith is a powerful ancient goddess energy. I have been working with snake energy for so long now and they have appeared over and over in my work in the last year. It is so connected with the energy of the Divine Feminine, and is what we as women are constantly working with in this present moment. It is about transmutation, and sometimes I feel like I am working overtime transmuting energies.
Women have been told for so long that they can't be too powerful. Often, as we start to finally reach the potential of our own power, we pull back. We have been taught for thousands of years to pull back. When we pull back sometimes we pull back so far we have a hard time finding that power again. Lilith is a huge symbol for this. She was a very powerful woman. She refused to submit to Adam and stood up to him, she spoke and lived her truth. For this, she was turned into a demonic witch by the Patriarchal forces that were in power.
So within the myth is the symbol of how women still today collectively fear becoming too powerful. Look at women in our world with a lot power like Hillary Clinton, Oprah, Nancy Pelosi and look at how they are portrayed by the media. I just gave a bunch of examples of powerful Liberal leaning women, but look at how Sarah Palin is portrayed in the media, and you realize it doesn't matter what her beliefs or political leanings are, a powerful woman is usually slandered repeatedly. This is what we need to transmute. We need to transmute this fear of being too powerful and the fear of what the world will do to us if we step into our place of power.
Last night during the powerful Aries full moon and Equinox, I sat in a circle with some magical sisters and felt the power of this transmutation. It is very important now more than ever for us to be in community and to draw upon each others strengths to help us reach our own potential. I feel more balanced now and aligned with the current energies.
So here is just a little sneak peek of my Lilith's face. I haven't been taking WIP pics this time. I have been so immersed in her I haven't even stopped to take pics. I have tried to capture her allure, her strength, and yet a look of fear that represents that collective fear of our own power. I still have a lot of fine details to work on, but she is getting closer to complete.



Beyond that I have just been running the kids to and from school. I recently showed at the Kentucky Showcase at Awesome Inc. in Lexington. It opened during the last Gallery Hop in town and here is little pic of me at the reception with two of my pieces.



I just cut off a bunch of hair, it was getting pretty long before. Another sign I am letting go of the old and ready for the new that is yet to come. I hope everyone else is feeling the balance return too.

The Guardians, new WIP

Well the summer is almost over and I have felt uninspired most of the time. I had to paint a couple of paintings for upcoming themed exhibits. One was for the Tomato Art Festival in East Nashville on August 14th and the other was for a traveling exhibit called "The Womanly Art" that is being put on by the Southern Indiana La Leche League. Although I was very excited to paint both of these, my inspiration was slow to come, and both works took me longer than I had originally planned. Both works are finished now and posted on my redbubble profile.
I have had another work in my mind for weeks now. I had to wait to start her until I was finished with the before mentioned works. That was slightly hard for me. This painting began to permeate my every thought. I think I learned a lesson in patience though. I felt like I let the idea grow for awhile in my womb before I finally got to birth her, and I think the work is better because of this.
The piece is about the shift of consciousness that we are all going through right now. The energy is shifting all around us, whether we realize it or not. This work carries along the themes of "I Feel Fragile Today". The energies are going through us and we feel uncomfortable because we feel we are changing, but we don't really know what is happening to us. In this work I am trying to show that it is our connection to nature that will help guide us through this change.
The Guardians is a large 2x3 foot acrylic on canvas. Here she is in the early sketch phase.


And here is a detail of her face.


Here she is with the face coming to life and a bit of color in the background.


And then I worked her face some more. This is what she looks like right now.


I started painting her yesterday and was up way too late working on her. I am feeling like I am in complete painting bliss with her. I have a lot of detail to do on her that might take me a few weeks and I have a couple of trips coming up to see family. My kids start school again, already, in about 2 weeks. My time to paint is going to really open up then. I feel the Fall will bring lots of creations.

WIP "The Gifting"

I had this plan to do the three fates of Greek mythology one at a time. I was going to start with Clotho, the fate that holds the distaff and begins the weaving of the fate of each human. I am intrigued by the fates, and other web/weaving goddesses like Ariadne. They are often connected to the stars and spiders. Also the word faerie is derived from the Latin fata, or fate. It has been speculated by many that actual faeries were "people" with the gift of second sight, or the ability to see the future.
I wanted to do my Clotho in a very modern way or another one of my "pop surrealistic" goddesses. I started to work on the pencil sketch on a larger size (for me) 24x36 canvas.



I struggled with her face a little more than usual. Something about her really bothered me. I decided to give her my bangs for some reason. I almost think she looked too much like me and that was what was bothering me. I erased her face more than a few times and finally decided to just let it go and she would evolve once I started painting.



I sometimes do my sketches with a water soluble graphite pencil that does not need to be fixed before you add the acrylic paint. It ends up just blending away with the paint. For this painting I used regular old graphite and sprayed it with a fixative before I painted. I thought I wanted to leave a lot of the graphite lines showing, but now I am wishing I would have put a light coat of white gesso over it to dim the pencil lines a little; you live and you learn I guess. Here she is with an added hand:



I have drawn a barn owl in the background that I planned to be bringing her the beginning of the thread. I wanted it to be as if she was chosen by nature to have the gift of sight. As I am looking more and more at it though, I am thinking about making the thread that the owl is holding a snake instead. I guess I haven't quite gotten over my snake obsession yet. Here she is with some background color:



I finally started to like her face and her general look. I am not really sure if she is still Clotho, maybe just an ambiguous woman being gifted by the Otherworld. I still feel for some reason there is more of me in her than normal.



This is the last photo I took of her. I have since added a delicate off the shoulder blouse on her. I hardly ever dress my girls so I thought I would play around with some fabric. I need lots of practice with fabric folds. I am excited about this one now, I wasn't at first. Funny how your work can evolve sometimes into more than you expected when the idea was first birthed.

Tiamat-finished

Well, at least I think I am done with her. I worked and worked on her, and changed elements on it over and over. I think I am fairly happy with how she turned out, but my self critic was out in full force with this one towards the end.

I wanted to go into some of the symbolism and my reasoning on this one. Tiamat is usually drawn as a three headed dragon, but I wanted to do this with my own impressions on the myth, and not rely on what I could read in Wikipedia. In the Sumerian myth the generation of creator gods that Tiamat is a part of is referred to as the "Ancient Ones". I believe that these Ancient Ones might have been another race, maybe like the Elven or an Elder race. A less fanciful idea is that they were a matriarchal people that were overtaken by a more warrior-like Patriarchal people. Again the passage that inspired the piece:
"Know that Tiamat seeks ever to rise to the stars, and when the upper is united with the lower, then a New Age will come to the Earth, and the Serpent shall be made whole again, and the waters will be as One."
I believe that this passage is talking a lot about humans having the ability to walk in both worlds, or uniting the spiritual and the material parts of ourselves. This is what we are all asked to do right now. I personally find it a very hard task. I seem to swing from one world to the next, and can not remain in both at once very often.
The stars represent the spiritual, and the lower world is our lower selves, or material selves. Tiamat seeks to rise to the stars, but is held down because the serpent is not one. I represent the serpent in this painting with a coral snake in an ouroboros style. The ouroboros is a well known symbol of the goddess energy. It's mouth represents it's positive active energy, and it's tail represents it's passive negative energy. When it bites it's own tail it is neutralized, it becomes the Alpha and Omega, the beginning and the end. I used a coral snake here because they are venomous. When it reaches it's tail it will be one, and neutralized. The masculine aggressive energy neutralized by the feminine.
There are many myths all over the world of an ancient race of wise people known as Serpents or Dragons. I believe this is why Tiamat was called a Dragon, she was part of these ancient wise people that possibly disappeared when the Patriarchal societies took over. Also, the ley lines that run under the earth are often referred to as Dragons. We must be able to converse with these Dragons under the ground and with the stars above to bring on the New Age. Many of those myths that talk about the ancient wise serpent people talk about them retreating underground, like in the myths of the Tuatha de Danann. So maybe they are or were physical beings that went "underground", or maybe they are the Dragon energy that runs through the arteries of our great Gaia. It is something I ponder a lot.
In the painting behind Tiamat's masculine side is a pair of ducks. Ducks represent an energy that lives in water, on land, and in the sky. They are showing us how to walk in both worlds. On her feminine side there is lost of plants and Earth energy. It is the energy of the Earth that helps us connect to the Feminine energy needed to neutralize our abundance of material energy.
Tiamat has three eyes instead of three heads here I suppose. The third eye of course is an Eastern symbol for obtaining inner vision and wisdom. The mist surrounding her represents the veil that surrounds us all and keeps us from seeing beyond the physical world. She is also rising up out of the ocean, or the unconscious. This is what the goddess has been doing for sometime now, rising out of the depths of our unconscious. Tiamat is one of the most ancient goddesses known. When she has fully risen out of our collective unconscious, a New Age will truly be upon us.

Tiamat WIP

I was totally struck by a quote from the ancient Sumerian myth and decided to paint Tiamat. She is the creatrix goddess of the Sumerian cylce. She is connected to serpents and dragons and was killed by her own grandson Marduk. Possibly this is another myth symbolizing the matriarchy being destroyed by the patriarchy, but like most ancient myth, the symbolism is multi-layered. Here is the quote that I couldn't get out of my head:
"Know that Tiamat seeks ever to rise to the stars, and when the upper is united with the lower, then a New Age will come to the Earth, and the Serpent shall be made whole again, and the waters will be as One."
I will go more into my interpretation of that when I have completed Tiamat, but for now I will just post my WIP pics. You will get to see how nuerotic I can be with my backgrounds with this progression.



The above image shows my graphite underdrawing. It is just a rough sketch and the painting usually morphs into something a little different looking than the sketch.



Here I have started to give her a little color and decided to go with black hair again.



More color added. I was thinking I wanted a drippy background here, but was really feeling unsatisfied with it. Basically, at this step, I had no idea what to do with the background. I like to paint the women sort of realistic with a lot of detail and make them the main focus. I like my backgrounds to be more abstract, but I never really know exactly how they will turn out. It is a lot of trial and error.



At this stage I decided to forget the drip, and go with a solid dark blue background.



At this stage I added some kind of circle thingys with drips. I am not sure really why except they look kind of cool. I will come up with some esoteric meaning later maybe. I do plan to paint yet another snake around her in an ouroboros style. I guess the circles will reflect that. I am feeling the power of this goddess and having a great time working on her. Hopefully I will have her done and posted by the end of this week.

Quetzalcoatl, WIP

I started a new painting this weekend and was progressing pretty quickly on her,and then got a cold today. I don't have a lot of energy to paint on her today so I thought I would post a WIP. She is a little bigger than my usual, 24x30, and I think I really like this size!

The first image is of my pencil sketch on the canvas. I do a pretty rough sketch just to know where everything is going to be. I was having a pretty hard time deciding where her back was going and if I should add butterflies or not. I erased a whole bunch at this stage.

Here she is with some color added. I have decided to change the way I had her orientated in the sketch and to get rid of the butterflies for now. I might add some at the end, but now I am thinking some kind of blackbirds flying in the distance added at the end.

Here is what she looks like right now. I have most of the elements painted in, and a whole lot of detailing to do and trying to de-sloppify some sloppy elements. I can be pretty impatient when I first start a painting. I want to get everything on the canvas quickly so I can get an idea of what it will look like. Then I go back and detail and fix my mistakes.
I am pretty happy with her so far. I know I am because I keep staring at her. Sometimes they just really captivate me, and that is when I know I am doing something right.
I am calling her Quetzalcoatl after the Mayan feathered serpent god. I will go into that more when I post the final painting. I am just really enjoying painting snakes lately. I also think the Slyvia Ji influence is even stronger in this work. I am just completely taken with her work. I know this painting has my own touch, but it is highly influenced by her amazing work.
Hopefully I will have this done within a week or two, but right now I think I just need to lay down. I worked at my daughter's preschool two days in a row last week, I am sure that is where I picked up this cold...dang it :)

New work and group show

I am almost done with a new painting. It really isn't extremely detailed, it just seems I haven't had a lot of time to work on it. I have been highly influenced by the work of Sylvia Ji lately. How can you not be inspired by her work? I think this latest piece shows some of her influence, but with my own touch of course. I should have it posted this week.
This weekend I will have a booth at Buster's bar for the Art in Motion Shakedown. It is Saturday from 7:30 until closing time. I will have one piece of art up for auction. You can read more about it here.
The weekend of May 22nd I have two exciting things to report. I will again be doing tarot readings and spirit guide drawings at the Inner Lights Festival in Lexington. I will also have two pieces, "Jezebel" and "Spirit of the West Wind" in a group show at Gallery 101 in Fort Lauderdale, Florida. I am very excited as I will be showing with many of my favorite artists from Red Bubble.

Here is the Press Release for the event:
"MASQUERADE": A Multi-Media Arts Event and Masquerade Ball!

Opening reception and "masked gathering"
SATURDAY MAY 22nd, 2010 From 7-10 PM

for those who may want to purchase a mask for this event, there will be a limited amount of masks available for sale at the door

Refreshments


This exhibit will include masks and other art works by artists responding to symbolic and concrete uses of masks related to carnival, ceremonial, spiritual, and other societal appearances of "masking". The exhibition will examine the mask as a wearable work of art, as a means of hiding or changing the identity of a person, as a protective device, literal and metaphoric meanings of"masking" in contemporary culture.

Historically, mask-makers have shown great resourcefulness in selecting and combining a wide array of materials. Artists in this exhibition also incorporate familiar and unexpected materials in their works.

Poetry by Mia Roman-Hernandez

A Special performance by Jean Minuchin from 8:30 pm till 8:45pm
BE SURE TO BE HERE FOR THIS VERY SPECIAL TREAT!!


EXHIBIT WILL INCLUDE WORKS BY THE FOLLOWING FEATURED ARTISTS;

Lily Fernandez, Adam White, Virginia Metayer, Elisabeta Hermann, Helene Ruiz, Sergio Cervantes,Lynnette Shelley, Mia Roman-Hernandez, kUrban, Janet Villasmil, Wahala Temi, Tammy Mae Moon, Patricia Ariel, Melissa Shawn Griffin, Jennifer Geiss, Damien Venditti, Rishona Cann, Judy Polstra, Jim Hammond, Jean Minuchin and Nadya of Dream Pieces and Outrageous Wear


this is a special event curated by Helene Ruiz, founder of The Urban Individualists in collaboration with Adam White, of The Gallery 101..this exhibit ends june 5th, 2010

Fragile, WIP

This is the latest piece. I am thinking it will be called "Fragile", or "I Feel Fragile Today". The above pic shows her with the graphite sketch and the first touches of color. I am painting her to symbolize what I think a lot of people are feeling right now. We are submersed in a bunch of Pisces energy right now, culminating during the next new moon when many planets including the Sun will be in Pisces. We are all feeling fragile and extra sensitive right now. We are also going through a major transition right now and trying to realign our systems to anchor in this new energy.
The butterflies are a symbol for this transition and they are going through her in a sense without her even realizing it. She is also submersed in water to her waist to symbolize the emotions of Pisces. Here is what she is looking like with a bit more color.



I need to work on a commission now and won't be able to finish her for a few days. That is going to be incredibly hard for me, but she will just have to wait.

My new Pseudo name

So I have been thinking for awhile that I need a different professional name. I often go by Moon Spiral as a username on many of the artist sites I am on like Red Bubble. This is very symbolic of me and my consiousness, but more like a nickname than what I want to go by professionally. It also has to do with the way I sign my paintings with a moon and a spiral. I love symbols and have always preferred to sign my paintings with a symbol rather than my name.
I am very into numerology and have felt that the vibration of my married name, Tammy Wampler, feels a little off. Nothing against my husband's name, it just does not fit me in a professional sense.
I believe there is a lot of power in your name. For years now I have given professional intuitive readings and I use a person's name to research into their past lives. This is called lexigramming and you wouldn't believe the shocking things you can find in your name.
I think most of my friends would think I am flakey if I told them they have to start calling me a different name now, although most of them probably think I am slightly flakey anyway. I have decided to keep Tammy, but change my last name. I wanted it to have a ring to it that is memorable and a little bit like my style of painting; a little pop surrealish I suppose. So my new "arteest" name is Tammy Mae Moon. The numerology of this full name equals a 2 which vibrates to the moon which is completely my vibration. My moon itself in my natal birth chart is in Cancer(which vibrates to the moon). The vibration of Mae Moon is a 6, which vibrates to Venus. I think the moon and Venus vibration is really the whole vibration of my art itself. It is feminine, intuitive, with a strong focus on beauty(Venus) and the unconscious mind(the moon).
So I am introducing my new self, luckily you can still call me Tammy or Moon.

I have not been keeping this blog very up to date. I keep forgetting about it; guess I am not the best blogger around. Sometimes I feel like I have so many thoughts in my head it would just take too much time to blog about it. Well anyway, here is the latest completed piece "Jezebel".



I rather like the way she turned out. Jezebel had about the worst treatment of a woman in the Bible and one of the most horiffic deaths. Basically she was flung out of a window and left to be torn apart by wild dogs. Recent archeaological finds have proven that she was a very powerful woman in the ancient world (as it seems that in the Bible the word whore is a code word for "really powerful woman"). Also her name was most likely not Jezebel but this was a corrupted spelling of her real name, I mean who would name their daughter whore of god in the first place. We probably will never know the truth of who Jezebel was as her story was written by her murderers as they were trying to justify their killing of a woman.
I wanted to paint Jezebel in honor of all women who have been born to be the ones that we could blame.
I must have listened to Iron and Wine's Jezebel about a thousand times while I painted this. I really do feel like a painting can take on the vibration of the music you listen to while painting.http://www.youtube.com/watch?v=ghBJhGIcneU

Dragonfly WIP

This is a very rough sketch to the piece I am currently working on. I am almost done with her now and she looks a little different than this sketch, but this gives you a rough idea as to what she will look like. I am working on refining my style. Being the Libra that I am, my art often reflects my indecisiveness. Sometimes I only want to do highly spiritual, symbolic, and mystical art and other times I just want to paint big eyed girlies. I am noticing that the artists that I am the most drawn to all fall under the catagory of Pop Surrealism. I like the idea of slightly distorting reality, and focussing on our vanity and messed up self-image constructs.
A friend of mine showed me this link It is for a Digital Retouch website that shows before and after shots of all the models. It is amazing how much they do to give us a false view of what beauty is. I guess that is what I want to explore. How beauty can be seen in the absurd and how we can easily distort our vision of beauty.
I think even the big eyed girlies can be spiritual art. With my work it is the eyes that convey the story of each soul I paint. They look back at you and hopefully speak to you. At least that is what I hope they do. Anyway, that is what I am wanting to paint for now. I could change my mind tomorrow.

Showing at Common Grounds

I have seven paintings being shown at Common Grounds coffeehouse and cafe http://www.commongroundsoflexington.com/ in Lexington, Ky right now. They will be there until March 6th. It is a great little coffee shop with a lot of atmosphere and local traffic, so hopefully it will be a good spot to get some exposure in the area.
It is actually a little hard to not have my babies at home with me. It's funny, how you get use to having them around and then they are gone, you actually miss them. It is a lot like when my son first went to kindergarten all day. It is hard to think of them there without me. I know they are just inanimate objects, but to me I breathed life into them just like I did my real children.
So if you happen to be in Lexington in the next two months please drop by Common Grounds and check on my babies. They are hanging in the backroom on the first floor.